Michael Baden
I Heard You Paint HousesMichael Baden is a prominent forensic pathologist and former Chief Medical Examiner of New York City whose role in the book is to assess the forensic evidence connected to Frank Sheeran’s claimed killing of Jimmy Hoffa. His view gives the blood traces a qualified significance: they support the account, he argued, without identifying the blood as Hoffa’s.
Professional Role and Forensic Context
Baden enters the account as an expert consulted about whether blood at the house described by Sheeran could establish a connection to Hoffa. Before testing began, the author understood that the quantity of blood was likely insufficient for DNA analysis and that Baden considered environmental exposure over nearly twenty-nine years capable of degrading biological material needed for testing. The possibility that the floor had been cleaned and that linoleum had been laid in the vestibule to catch blood also complicated any expectation of a straightforward result.
Those limitations mattered because the book was building a case from converging clues, not from a confirmed blood identification. Fox News had arranged for forensic specialists to apply Luminol to the house’s floorboards. The test showed eight tiny indications of blood in a trail from the vestibule down the hallway toward the kitchen, matching the route Sheeran had described. But a pattern consistent with his account was not, by itself, proof of whose blood it was.
The Blood Tests and Their Limits
After the Bloomfield Township Police Department read portions of the book, investigators removed sections of flooring and sent them to the FBI laboratory. On February 15, 2005, Chief Jeffrey Werner announced that the lab had found human male blood, but that its DNA did not match Hoffa’s. David Gorcyca stressed that this result did not corroborate Sheeran’s confession, but did not refute it either.
Baden’s assessment addressed that distinction. A negative DNA match meant the tested blood could not be identified as Hoffa’s; it did not establish that the blood was unrelated to the killing described by Sheeran. The source of the traces remained open to other explanations as well: after almost twenty-nine years, the blood might have come from something as ordinary as a boy’s nosebleed, or from another crime. The book therefore presents the forensic result as limited and equivocal, rather than as a conclusive identification.
Assessment of Sheeran’s Account
Despite the DNA result, Baden publicly judged the overall forensic evidence in relation to Sheeran’s account. He said, “Sheeran’s confession that he killed Hoffa in the manner described in the book is supported by the forensic evidence, is entirely credible, and solves the Hoffa mystery. Nothing about this latest finding speaks against the confession and the overwhelming weight of the evidence.” His statement is a professional endorsement of the confession’s credibility, not a claim that the blood had been genetically identified as Hoffa’s.
Baden’s place in the narrative rests on holding those propositions apart. The floor contained human male blood, but its DNA did not match Hoffa; the Luminol pattern followed a route consistent with Sheeran’s description, but the trace alone could have other explanations. Baden nevertheless considered the finding supportive when weighed alongside the confession and the broader evidence. His judgment strengthens the book’s case while leaving the central forensic limitation plainly visible.